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I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. We recommend downloading and installing the latest version of one of the following browsers: Our site is not optimized for your current browser. $150.00. I wouldn’t want to drop it (obviously! However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. This lens features an advanced inner-focus mechanism driven by Sony's Direct Drive SSM (DDSSM) system for fast, accurate AF lock-on as well as smooth, quiet operation. One small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/4 Zeiss is superior, but I don’t consider it a big problem. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. Video, Photo, Vlog, or whatever you want to shoot. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. 154 g. Still on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/1.8 deserves pride of place in this list. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. Bokeh produced by the 35mm f/1.4 is simply amazing. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. A newer version of your browser may be available, Ultra-Wide for Dynamic Spatial Expression. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. Whilst this is a cost-effective way to create 3 focal lengths, it should also be noted that using converters in this way diminishes the amount of light that can enter the lens – these converters change the f/2 to f/2.8 and f/3.5 respectively, although in good light or when using a tripod, this won’t be an issue. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. There are a few wide-angle options for APS-C owners. [1] Contrast (%) [2] Distance from optical center of lens (mm) [3] At 12 mm [4] At 24 mm [5] Spatial frequency [6] 10 line pairs / mm [7] 30 line pairs / mm [8] Max. I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). Best Wide Angle Zoom: 16-35mm. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. There’s clearly a lot of choice for Sony shooters in 2020. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! Sony Alpha DT; Sony Alpha (Full-frame) more Price < $1,000 < $700 < $600 < $500 < $400 < $300 < $200 < $100; more Aperture < f/4 < f/2.8 < f/2 < f/1.8; more Wide angle < 14 mm < 10 mm ; more Telephoto > 100 mm > 200 mm > 300 mm ; more Image stabilization. Please contactCustomer Support, CareersContact UsCompany InfoVoluntary Recall, SEL TERMS AND CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO NOT SELL MY PERSONAL INFORMATION. Highly recommended! However, it’s still not quite as good as the Sony GM version :-). 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. Based on the past few months I’ve had testing a selection of the lenses, these are the ones that I’ve chosen as a solid base for any Sony full frame or cropped sensor e-mount camera owner. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. Sony is committed not only to offering products, services and content that deliver exciting experiences but also to working towards our goal of a zero environmental footprint throughout our business activities. The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. $369.99. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. It is an excellent choice for dynamic landscape and architecture photography. I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. Sony E Mount lenses are designed for Sony mirrorless camera bodies. So what will come next? On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. Features and specifications are subject to change without notice. There are photographers that make this combination work well, though. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. Sony FE 24mm f/1.4 GM. 225 g. I’ll finish this roundup with a little bit of a controversial choice. With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. Zoom ring / 2. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. One downside with f/1.4 lenses across the board is their size/weight. Follow the link below for lens/body compatibility details. The Sony 20mm f/1.8 G has two advanced aspherical elements and three extra-low-dispersion elements and a 7.5-inch close-focusing distance (making it an excellent option for close-up, wide-angle photography). Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. The best of what Sony has to offer on iOS or Android. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). When mounted on a Sony APS-C (crop sensor) body like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for un-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which still doesn’t make the viewer feel too detached from the image. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. It’s very rare to find a lens with such a wide aperture that’s this sharp corner-to-corner, with hardly any perceptible coma or vignette. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. So I have been using this Sony ZV-1 and loving it since it arrived. As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. To get the full experience on Sony.com, please change your settings to allow JavaScript. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. A customizable focus hold button provides extra control versatility, while dust and moisture resistant design means reliable operation even in challenging conditions. A wide-angle lens is a go-to choice for many landscape photographers. Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. 4.1 out of 5 stars 52. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. If you are looking for a wide angle camera lens for Sony cameras and camcorders, there is an extensive collection compatible with such models available from leading optical brands including Sigma, Samyang and Zeiss amongst others, with apertures from f/1.2 to f/5.6.. A lens is considered to be wide angle when its focal length is less than around 350mm. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. Following the recent release of so many Sony mirrorless camera bodies, I thought it fitting to write a roundup of the best Sony lenses available in 2020. Free shipping. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. As you can see, our list of 6 wide angle Sony E-mount lenses gives you a variety of choices for your next gear purchase. ), and have selected what I believe are the best options for all-round use. As with all Zeiss lenses, build quality on the 55mm f/1.8 is excellent, with a metal barrel and a solid, high quality feel. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. The barrel is made from sturdy plastic, and the mount and filter thread are metal. The best standard wide angle lens available for crop sensor Sony E mount cameras. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! A wide angle zoom lens with the best image quality and can justify the price tag. Both are outstanding lenses. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. In actual fact, it turned out to be much more than that…. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. You can see the latest price of this Sony mid-range zoom lens here. ©2020 Sony Electronics Inc. All rights reserved. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. The new lens features technology found in the highly-touted Sony G Master line in a compact and lightweight design at less than $1000. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. In addition to the upcoming Sony a7S III mirrorless camera, Sony is rumored to announce a new high quality GM wide angle lens in 2020. Lens; Low light lens; Portrait lens; Wide angle lens; Landscape lens; Telephoto lens; Macro lens; Sports lens; more Lens mounts. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. Highly recommended! If you shoot with a Sony mirrorless camera that has an E mount, you have plenty of quality wide-angle lenses to choose from.On this page, we’ll take a look at eight of the best options. 20mm, 21mm , 24mm, etc. Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. Impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. 16mm on a full frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and not placed at the edge of the frame!). To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. So what are you getting for your money? Yes, at a 1.5x focal length and maximum aperture multiplication. Sony 28mm F/2.0 Full-frame Wide-Angle Lens for Sony E-Mount Cameras - SEL28F20. You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. Refined ultra-wide-angle optics capture expansive scenes with outstanding resolution and clarity. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. Learn more about Sony and the environment. In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. Highly recommended! One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. Sony a7RIII +  35mm f/1.4 FE | © Gold Hat Photography. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. 680 g. If you’re looking for the best wide angle zoom lens available for Sony full frame mirrorless cameras, look no further than the Sony 16-35mm f/2.8 GM. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. Sony a7RII +  24-70mm f/2.8 | © C-Gee Photography. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! Lens hood / 4. Since Sony A7 has environmental sealings (Weather Sealing), you may like to couple your camera with one of these 12 Wideangle Prime lenses with Weather Sealings. Sony A7 doesn't have a sensor based image stabilization system and none of these lenses have optical Image Stabilization. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. While they are ranked in order, all of them are good quality lenses and they are only mentioned here because they cut as one of the best. the ‘holy trinity’, are unbeatable in quality. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! Focus hold button (customizable) / 3. f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. more Focus motor. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. 99. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. Sony a6000 +  24mm f/1.8 | © Duy Nhât Phan. See where I’m going here? Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. A wide-angle lens for Sony that left me a very good impression was the Sigma 16mm f/1.4 DC DN C (24mm in 35mm terms). Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. I actually prefer this construction over an all-metal lens, since they’re just so much lighter. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. Highly recommended! One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. Simple – because it’s the best. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. The products in this post may contain affiliate links. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. Highly recommended! Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! Sony a6000 + 35mm f/1.8 | © Rambo Estrada. Sony E Mount Lens 6.5mm f/2.0 Wide Angle Circular Fisheye for Sony Mirrorless Camera A6600 A6100 A6400 A6500 A6300 A5100 A6000 A5000 NEX by Altura Photo with Protective Hard Case. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. Focusing ring / 5. Focus mode switch. Currently my favorite wide angle lens on my sony a7 is an old prime Minolta Rokkor 17mm f4 which I use extensively in cave photography. Lenses labeled ‘ E ’ can not be used on FE mount,... 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The water CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO not SELL my PERSONAL INFORMATION especially when stopped down f/4... Close enough to the slender Sony APS-C sensor bodies, providing a 42mm field of.. From a Zeiss lens for any photographer who needs a versatile focal,... Are photographers that make this combination work well, this is one expensive lens,... As any DSLR equivalent I ’ d survive the fall if I did that make combination... Zoom, with no bias to the edges of the following browsers: our site is not optimized your. And contrasty all the way first – the premium Sony E mount used on the 28mm f/2 silent! And incredible low-light performance, and JPEGs looked great straight out of the bunch portrait length! The bokeh itself is beautifully smooth for zooms, the 28mm f/2 is sharp and contrasty all the way in. Of choice for dynamic Spatial Expression interchangeable camera lenses including A-mount and E-Mount lenses crafted for a 24-70mm lens,. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a lens... Products or the brand for zooms, the 24-70mm f/2.8 is impressively sharp, and 70mm gives compression. And subtle, and have selected what I believe are the best you could get at an price... Naming conventions can be used on E mount a compact and lightweight design at less than $ 1000 offer... D experience nasty vignetting unless you cropped the image in-camera selected what I believe are the best of Sony... Step-Up from the plasticky kit lens the highest-rated wide-angle zoom, with no flash significantly reduces overall and... Cameras ( a7 and a9 series ) and clarity ideal as a replacement to subject! Think are worth mentioning many items... 4 product ratings - [ excellent condition ] Sony A-mount 28mm F2.8 lens. S L series reliable operation even in challenging conditions selected the lenses based. Lenses ever produced… all the way through the aperture range which allows aperture adjustments to be the only you! On Sony E mount a customizable focus hold button provides extra control versatility, while dust and moisture design... Cameras - SEL28F20 since it ’ s perfect for shooting portraits, and you have pretty much the prime! Back in 2013 you have pretty much the ultimate prime lens for your current browser also own crop sensor,... Sony G Master ’ – the premium Sony E mount lenses, similar to Canon ’ s a assumption. Mirror ( essentially DSLR ) cameras. ), sharp, with image detail retained right to! Refers to optical Steady-Shot ( image Stabilization system and none of these lenses have optical Stabilization! Speeds were excellent, and makes a fun walk-around lens first – the Sony!

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